I'm guest posting about poetry and inspiration at Kate Messner's fabulous virtual writing camp, Teachers Write, today.
You may recognize some of the themes I talk about (and even the actual words!) as drawn from this blog---but then, I see this blog as a kind of notebook in which to gather my thoughts for both now and later. It turns out there is a cumulative effect of reading, writing, and believing.
Come join me!
Tuesday, June 19, 2012
Friday, May 4, 2012
Poetry Friday: Renku
Poetry ought to be taught in schools as a game. I mean it. All the way up to high school and beyond.
We start this way---with hand clap rhymes, or raps, or silly jingles which we make even sillier, or perhaps, (gasp!) off-color.
And then...the bell rings and recess is over and poetry gets made "a subject."
PHOOEY on that!
In contrast, there's an old Japanese game called renku* in which poets build a linked chain of haiku together on the spot. Apparently, in ancient times, it used to get quite rowdy---even a little PG-13 here and there, perhaps like some modern day bouts of Pictionary tend to do...
It was about pleasing the crowd with a sly twist on theme. Or throwing in a tricky word. Or slipping in an allusion that tickled your brain until you had time to look it up and say: Oh, right! I should've gotten that!
So, in the spirit of going back to poetry's roots, the Poetry Seven are at it again with a pickup game of renku. Liz and Andi threw us the idea a week ago, and presto! by today, we have something that weaves and jinks and laces us all together. We have a game. Play with us.
*Renku: alternating verses of three lines, two lines (could be 17, 14 syllables) with a linked theme and a shift. Below, the initials at the end of the lines indicate which of the poets wrote it. lps=Laura Purdie Salas, aj = Andi Jazmon (Sibley), tsh=Tricia Stohr-Hunt, kf=Kelly Fineman, sh=Sara Holmes, td=Tanita Davis, lgs=Liz Garton Scanlon
fall leaf in April
wearing last season's fashions--
shunned by the green crowd lps
nature’s first green is gold
progeny emerge in flame aj
white melts into green
gardens blush Crayola proud
blooming shades of spring tsh
strolling down the pebble path
rose-cheeked dreamer lost in thought aj
palest pink dogwood
April breezes whisper by
petals flutter down kf
ink dries on palest pages
garden rows plow down sillion aj/sh
Brash green garter snake
Hoe laid beside June daisies
Book and tart limeade sh
serpent jewel, puckered words,
work abandoned, glory claimed aj
afternoon drifts by lps
wispy clouds, half-closed eyelids
distant playground sounds
cloud congestion, dully pewter
petrichor from distant patters td
tapped on leaden skies td
rain’s persistent percussion
arrhythmic ad lib
a morse-code chicken scratch lgs
a fresh start too hard to resist
the rain leaves its mark -- lgs
such an inscrutable plot
begs to be re-read
red again so soon and down
persimmon fingers shiver aj
Visit the player's posts today for more about the game:
Tanita Davis (wow! love what she says in the last paragraph about finding April's purpose)
Andi Sibley (took this to a whole new level with her "rules of the game")
Liz Garton Scanlon (chief instigator and rabble-rouser)
Tricia Stohr-Hunt (she recounts the conversations among the poets that led to the chain. Behold the chaos!)
Laura Purdie Salas (started us off with that evocative first haiku)
Kelly Fineman (I followed her in the chain, trying to link her palest pink dogwood to ink on book pages)
Elaine at Wild Rose Reader has the Poetry Friday Roundup today.
Labels:
Poetry,
Poetry Friday
Monday, April 30, 2012
April is Poetry #30
The orange truck moves from block to block. Sometimes, kids watch. A cat slinks by. During the next storm, we'll be glad of the branches trimmed to limits. But sometimes, I want to tear down the signs that go up overnight: No Parking. Tree Service. Monday 8-5.
Last day; last haiku
A tree dies in sawdust smoke
Who will I tell now?
---Sara Lewis Holmes
Thank you to all my friends who wrote beside me, and to those who commented here. You made April poetry.
Last day; last haiku
A tree dies in sawdust smoke
Who will I tell now?
---Sara Lewis Holmes
Thank you to all my friends who wrote beside me, and to those who commented here. You made April poetry.
Labels:
Poetry
Sunday, April 29, 2012
April is Poetry: #28 and #29 (Citizen Science)
Oh, April is speeding by! This weekend was gone in a flash, but that's because any time I have with the fabulous Loree Griffin Burns is always too short. Loree was in town for the USA Science and Engineering Fair, and I caught her presentation on Citizen Science. After writing about scientists who track trash and scientists who investigate honeybees, Loree decided to write about something powerful and simple: how any human being with alert senses and a willing heart can participate in the grand adventure of scientific discovery.
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| Citizen Scientists by Loree Griffin Burns photographs by Ellen Harasimonwicz |
From listening to frog calls to hunting for lost ladybugs, each citizen scientist is asked only to be an expert in their own local community, and to observe and share the data he or she collects. It's a bit like Twitter science. (I hope Loree won't object to that description!) Just like Twitter has enabled millions of people to be on-the-spot reporters, observing and relaying what they see and hear, citizen science empowers kids, families, scout troops, classrooms, 4-H clubs, nearly anyone--- to take what they see and hear in the small square of their backyards and add that knowledge to the vast earth-wide pursuit of scientific knowledge.
Cool, huh? You can read more about citizen science and Loree's fascinating path to writing the book here.
Loree and I also talked about haiku----since she knew I was writing some for Poetry Month--and because she believes science and haiku have a lot in common. By focusing on the very small and the very particular, we gain access to the profound. She even recommended a poetry book to me that I can't wait to find: Seeds From a Birch Tree. For now, though, I'm paying attention only to what I heard and saw and learned from Loree today.
Shh! I'm listening
Spring peepers caught on iphone
shared sound grows louder
Red binoculars
Held breath, sharp eyes, open ears
One sky; many wings
Friday, April 27, 2012
Poetry Friday: A Love Song
This has been a week of singing. My fledgling efforts to learn a single song have been alternately giddy and frustrating. For one thing, I've discovered that I'm completely unused to singing to music.
Ha! That's not really a joke. To Mike's horror, I told him the accompanying chords he was so lovingly playing for me were a distraction. I know. Awful. But I've always sung with a crowd, and for me, what I listened to was them, their voices, so I wouldn't screech off-course. I had no idea what to do when the only thing I could hear was a steady beat of chords. What I really needed was to SEE how my voice was supposed tocompete with lovingly entwine with that.
To help, my husband laid down a guitar track in Garage Band. Now the measures click by and the sound waves pulse in and out. I can see it. It's helping.
But it's also incorruptible. Tying to sing with music is thrilling in a way that trying to jump on a spinning carousel is fun. I keep mis-timing my leaps and winding up in the dirt. But the lights! Those prancing steeds! The hypnotizing spell of the notes pouring out and up and down and around and around...
Which brings me to the poem for today. It's one that's I've shared on Poetry Friday before, back in 2009. But I love it for how it can gush without being mush. How everything spins and stays hyper-still at the same time. And it's so much about timing. Love often is.
Listen to this poem read aloud.
Poetry Friday is hosted today by Tabitha Yeatts.
P. S. The poetry haiku daisy-chaining project I alluded to yesterday? Stay tuned for it next week!
Ha! That's not really a joke. To Mike's horror, I told him the accompanying chords he was so lovingly playing for me were a distraction. I know. Awful. But I've always sung with a crowd, and for me, what I listened to was them, their voices, so I wouldn't screech off-course. I had no idea what to do when the only thing I could hear was a steady beat of chords. What I really needed was to SEE how my voice was supposed to
To help, my husband laid down a guitar track in Garage Band. Now the measures click by and the sound waves pulse in and out. I can see it. It's helping.
But it's also incorruptible. Tying to sing with music is thrilling in a way that trying to jump on a spinning carousel is fun. I keep mis-timing my leaps and winding up in the dirt. But the lights! Those prancing steeds! The hypnotizing spell of the notes pouring out and up and down and around and around...
Which brings me to the poem for today. It's one that's I've shared on Poetry Friday before, back in 2009. But I love it for how it can gush without being mush. How everything spins and stays hyper-still at the same time. And it's so much about timing. Love often is.
A Love Song by William Carlos Williams What have I to say to you When we shall meet? Yet— I lie here thinking of you. The stain of love Is upon the world. Yellow, yellow, yellow, It eats into the leaves, Smears with saffron The horned branches that lean Heavily Against a smooth purple sky. There is no light— Only a honey-thick stain That drips from leaf to leaf And limb to limb Spoiling the colours Of the whole world. I am alone. The weight of love Has buoyed me up Till my head Knocks against the sky. See me! My hair is dripping with nectar— Starlings carry it On their black wings. See, at last My arms and my hands Are lying idle. How can I tell If I shall ever love you again As I do now? | |
Listen to this poem read aloud.
Poetry Friday is hosted today by Tabitha Yeatts.
P. S. The poetry haiku daisy-chaining project I alluded to yesterday? Stay tuned for it next week!
Labels:
Poetry,
Poetry Friday
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